EAC-CP0404
Musiques et intelligence artificielle : enjeux, usages et création.
IRCAM - Orchestre national de jazz - Greid Musique.
The audio revolution and the latest technological innovations promise a shift towards the mainstreaming of digital creation and the
Opinion column published in Culture et Recherche n°147. Nicolas Obin (Associate Professor, Sorbonne University) , Pierre Saint-Germier (Research Fellow, CNRS) , Jean-Louis Giavitto (Research Director, CNRS) , Frank Madlener (Director, IRCAM) , Axel Roebel (Research Director, IRCAM), Frédéric Bevilacqua (Research Director, IRCAM).
Interview with Gérard Assayag (head researcher at IRCAM-STMS and REACH project creator)
On exhibit from October 4, 2024 to February 2, 2025 at the Serpentine North Gallery in London as part of a collaboration between artists Holly Herndon and Mat Dryhurst and Serpentine Arts Technologies, The Call is a spatial audio installation built in two symmetrical parts, each containing a mic, and separated by a curtain. Meeting the Artists
In this last instalment of a two-part article, young PhD student in the ACIDS (Artificial Creative Intelligence and Data Science) project team Nils Demerlé – supervised by researcher Philippe Esling in the Sound Analysis-Synthesis team – shares his views on the project, for which he developed an AI model to generate choirs.
Une exposition à découvrir au Centre Pompidou du 4 septembre 2024 au 13 janvier 2025.
Jean-Louis Giavitto IA et Musique Ed Galilé Juin 2023 (support de la présentation du 7 février 2025)
